Although Liam Neeson knows how to demand a screen, no matter what’s on the page, his latest film Absolution feels like a retread of the same deadbeat-dad-tries-to-redeem-himself-before-it’s-too-late plot, as the title might suggest. In the Tony Gayton-written, Hans Petter Moland-directed crime thriller from Samuel Goldwyn Films, the Oscar nominee plays an aging Boston gangster who, […]