If there is a cinematic equivalent of the theatre of cruelty, it must be the reigning spirit of Austrian cinema. Films by Michael Haneke, Ulrich Seidl, Veronika Franz and Jessica Hausner may be very different from each other, but are similarly unflinching as they roam threatening spaces, find the sinister in the everyday and delve […]
‘Mother’s Baby’ Review: Johanna Moder’s Latest Rivals ‘Eraserhead’ As A Visceral Evocation Of New Parenthood – Berlin Film Festival
